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Neeme Järvi, ever the expert architect, has over the years fashioned the Detroit Symphony into a world-class orchestra. Here, they take on two important African American composers, Duke Ellington and William Levi Dawson, whose music only works if the conductor and orchestra know what they’re doing. Dawson’s Negro Folk Symphony (1934, rev. 1954) is a showpiece for obscure Negro folk melodies framed in standard 19th century Romanticism (mostly influenced by Dvorák, who (more…)


